Who is rolando villazons wife

He currently has his own television series, Stars von morgen, which is televised in France and Germany. Learn More. Rolando released his debut novel, Malabares, in He is also a critically acclaimed stage director. After Merola, he moved on to the Pittsburgh Opera's training program. Through all these years, Placido Domingo had remained his idol.

He had long ago told the director of the Mexico City Opera that he hoped to one day meet Domingo. While he was in Pittsburgh, he received a call from the director with the news that Domingo was making a weekend trip to sing there the next Sunday.

Would Rolando be able to come? According to the director, there was no guarantee that Domingo would have time to hear him sing, but perhaps Rolando could at least meet him.

With nary a second thought, Rolando replied, "I will come. Whether I sing for him or not, I will come. When they arrived and were introduced, the gallant Domingo took Lucia's hand, kissed it, and then motioned for Rolando to sing. It was another Eureka! Since that time, Domingo has remained one of the Villazon's most important mentors. Back in , when he was pacing his dressing room floor just eight minutes before he was to go onstage for his professional operatic debut at the Genoa Opera House, his phone rang.

Villazon and Domingo seem to share a number of commonalities. While Villazon is not as tall as Domingo, both share darkly handsome, "heroic" good looks, and Villazon, like the young Domingo, is slim and athletic-looking. Both their voices have strong, penetrating baritone timbres and tenor ranges, and each seems to have the uncanny ability to become consumed with whatever role he is playing at the moment.

But Villazon shares another formidable talent, not with Domingo, but Enrico Caruso, the great tenor of the early 20th century. Like Caruso, Villazon is a splendid caricaturist and draughtsman. Opera last season, and mezzo-soprano Beth Clayton, who have been together since the late s. And Puccini was not very kind to the mezzos. She had just finished her debut run in the house, as Violetta.

Costello was concluding his separate run as Alfredo in the same opera — opposite Netrebko. And the roar of the crowd was incredible. So I know this information gets a reaction. I think it elevated the whole night. In Jim Isermann slipcovered a Minimalist cube. The rest is queer art history. All Sections. About Us.